Every technique in the library, running.

A phyllotaxis field of dots that stay the same weight at every pixel ratio, with no MSAA and no texture.

An iterated domain-warped plasma crushed to eleven grey levels, so the hero reads as a dot-matrix proof.

A smooth gradient crushed to five levels through an 8x8 ordered matrix derived from six integer ops.

A warped-noise atmosphere with a light that trails the cursor, held under a hard luminance ceiling so copy stays readable.

Two counter-rotating cylinders of dots — rings, bar lines, notes — drawn from one buffer with no depth buffer.

Nineteen planes wrapped around a drum in the vertex shader, spun by wheel or scroll, focus falling off from centre.

A dot lattice on an arc: z drives alpha and point size together, and a per-column phase sweeps the pulse across the field.

Slow, low-contrast fog that flows rather than fades, with a faint light that trails the cursor.

One particle field rendered twice with the depth sign flipped, so the text sits inside the field rather than on top of it.

A field rendered into a backing store 0.6x its box — 36% of the fragments — with a grid measured in texels so the upscale never shows.

One 3-vertex triangle covers the viewport and runs your fragment shader. No three, no ogl, no seam.

Rings of dots that burst on click, every particle solving its own cubic-bezier easing in the vertex shader.

Up to 1800 drifting particles in one draw call — quads rather than point sprites, so each one has its own size, spin and shape.

Four passes into two render targets — ramp, additive fills, half-size bloom — and one composite that writes the canvas once.

A soft lens that follows the cursor, measured by projecting every vertex to screen space instead of raycasting.

Concentric rings of dots, one bright marker travelling each ring, all of it in a single draw call.

A dot field with a travelling wave running out of one off-centre point, its density drawn by hand as a B-spline.

A metal knot reflecting panels that are actually orbiting it, captured six faces at a time every other frame.

An image that ripples with scroll speed and bends the other way on the way back, from two sine terms.

A CPU damped-spring lattice uploaded as a texture each frame, displacing a procedural grid the cursor can push around.

A transparent grain overlay whose pattern jumps twelve times a second instead of every frame, so it reads as film.

A particle field that flows around the headline, held off by a 6-norm superellipse fitted to the measured text box.

Any mesh becomes a particle shell of even density, assembling bottom-up, with orbit rings measured off the sampled silhouette.

A particle cloud gathers into a word rasterised from a font already on the page, written left to right, then lets it go.

object-fit: cover for a textured quad, solved in UV space so the crop follows a frame that reshapes every frame.

Marks that smear into a tail when the pointer moves fast and stay crisp when it slows, from two targets swapping roles.

A flat plane wrapped around a cylinder on the GPU, with the curvature living in a uniform you can animate.